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STRANGEPLACE Impossible Landscapes

An Essay on Appearance

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Weld seams on steel, evap­o­ra­tion traces on paper, pho­tographs of indus­tri­al slag heaps – Impos­si­ble Land­scapes shows land­scapes that do not exist.

Wulf Kirschn­er

Michelle Con­cep­ción

Peter Voigt

Open­ing remarks — Ilka Mottscheller

Open­ing — 17 April 2026

Wulf Kirschner

Wulf Kirschner

Wulf Kirschn­er cov­ers steel sur­faces with rhyth­mic pat­terns of weld seams. The cooled lines form struc­tures that recall aer­i­al views of ter­raced fields or pet­ri­fied sed­i­ment – an indus­tri­al ges­ture as geo­log­i­cal form.

wulfkirschner.de

Relief (Schraffur), 2017
Relief (Schraffur), 2017
100 x 100 cm, Schiffbaustahl, Chromnickel geschweißt
Wulf Kirschner. Relief (Schraffur), 2017  100 x 100 cm, Schiffbaustahl, Chromnickel geschweißt
Drei Tinten (Colored Metal IX 2018
36 x 26 cm, Schiffbaustahl geschweißt, Tinte
Wulf Kirschner, Relief (Schraffur), 2017  Detail

Relief (Schraf­fur), 2017
Detail

Wulf Kirschner

Kybele XIII, ver­dreht ver­längerte Dreieck­skup­pel
John­son-Kör­p­er, 2024, Schiff­baus­tahl, Chrom­nick­el geschweißtHöhe 38 cm, Durchmess­er am Boden 42 cm


Michelle Concepción

Michelle Concepción

Michelle Con­cep­ción lets liq­uids evap­o­rate on paper. What remains are traces that recall riv­er deltas, ero­sion or con­tour lines – topogra­phies with­out ter­ri­to­ry, paint­ed by the behav­iour of mat­ter itself.

michelleconcepcion.com

Michelle Concepción, Soapy Wonder 2
Soapy Wonder 2
2020
Acrylic ink on paper
100 x 70 cm
Michelle Concepción, Soapy Wonder 1
Soapy Wonder 1
2020
acrylic ink on paper
100 x 70 cm
Michelle Concepción, Transparent Body 1 & 2
Transparent Body 1 & 2
2023
Acrylic on board
50 x 40 cm
Michelle Concepción, Suspension 2

Sus­pen­sion 2
2024
Acrylic on paper
30 x 24 cm


Peter Voigt

Peter Voigt

Peter Voigt pho­tographs indus­tri­al deposits and process­es whose struc­tures can be per­ceived as land­scapes – between doc­u­men­ta­tion and deception.

petervoigt.com

Bauxit-Staub, Al(OH)₃

Baux­it-Staub, Al(OH)₃
40 x 50 cm
Can­son Bary­ta Pho­tographique 2 auf Aludibond

Tailing-Becken, HCN (aq)
Tailing-Becken, HCN (aq)
90 x 120 cm
Hahnemühle PhotoRag Baryta auf Aludibond
Peter Voigt, Impossible Landscapes
Peter Voigt
Gold in Cyanide Leach Solution Na[Au(CN)₂]
40 x 50 cm

Wulf Kirschner
Drei Tinten
36 x 26 cm, Schiffbaustahl geschweißt, Tinte
Strangeplace Offenbach. Exhibition view

Links Tisch:
Wulf Kirschn­er
Tripthy­chon, Wür­fel, Kleines Buch
Schiff­baus­tahl, Chrom­nick­el geschweißt

Rechts Wand:
Peter Voigt
Eisen­pel­lets-Depot, Fe₂O₃, Alu­mi­na-Düne, Al₂O₃
50 x 40 cm
Can­son Bary­ta Pho­tographique 2