Weld seams on steel, evaporation traces on paper, photographs of industrial slag heaps – Impossible Landscapes shows landscapes that do not exist.
Wulf Kirschner
Michelle Concepción
Peter Voigt
Opening remarks — Ilka Mottscheller
Opening — 17 April 2026
Wulf Kirschner covers steel surfaces with rhythmic patterns of weld seams. The cooled lines form structures that recall aerial views of terraced fields or petrified sediment – an industrial gesture as geological form.
Relief (Schraffur), 2017
Detail
Kybele XIII, verdreht verlängerte Dreieckskuppel
Johnson-Körper, 2024, Schiffbaustahl, Chromnickel geschweißtHöhe 38 cm, Durchmesser am Boden 42 cm
Michelle Concepción lets liquids evaporate on paper. What remains are traces that recall river deltas, erosion or contour lines – topographies without territory, painted by the behaviour of matter itself.
Suspension 2
2024
Acrylic on paper
30 x 24 cm
Peter Voigt photographs industrial deposits and processes whose structures can be perceived as landscapes – between documentation and deception.
Bauxit-Staub, Al(OH)₃
40 x 50 cm
Canson Baryta Photographique 2 auf Aludibond
Links Tisch:
Wulf Kirschner
Tripthychon, Würfel, Kleines Buch
Schiffbaustahl, Chromnickel geschweißt
Rechts Wand:
Peter Voigt
Eisenpellets-Depot, Fe₂O₃, Alumina-Düne, Al₂O₃
50 x 40 cm
Canson Baryta Photographique 2